Investigate a Brazilian case through documents, photos, maps and conflicting testimony. Find what doesn't add up and reconstruct the version the evidence can support.
N.'s Notebook and Clarisse's Diary are diegetic extensions of the game. They remain alive and updated throughout development.
A veteran street journalist, mature and wary of neat stories. He observes before speaking, separates fact from impression, gap, hypothesis and proof, and distrusts his own bias. His question: what can I prove?
Open N.'s Notebook
An adult woman, intellectually firm, emotionally complex and autonomous. She reads gestures, spaces, relationships and contradictions from another margin; vulnerability or confidence never cancel her intelligence, context or boundaries.
Open Clarisse's DiaryThe prologue and Visual Book deepen atmosphere, visual direction and investigative language without replacing the playable experience.
Before opening your eyes.
Open prologueIsolated candidate · not promoted · 68 pages · 03 Sep 2026.
Open Visual Book · ENChapters 1–7 appear as visual direction for the complete project. Chapter 8 remains closed.
The public Windows demo is the main door after the archives.
We are looking for a publisher, funder, or strategic partner for a first completion milestone. Gameplay and due diligence are in the professional hub.
Completion funding, launch, distribution, QA, localization and console-port planning.
Open Publisher / Partner HubBrand presence outside fiction: website, promotion, events and launch materials.
Discuss partnershipPraça Cívica, Goiânia — 2026.
I stopped in front of the Monument to the Three Races from a point where none of the figures seemed to occupy the center alone. A few steps were enough to change the composition.
The stone remains, but the position of the observer reorganizes the drawing. A photograph kept as reference does not solve the place. It preserves an angle.
When I compared the archived image with what stood in front of me, the most obvious change was not the monument. It was the distance between the object and my point of view.
That is close to the way Ecos do Cerrado treats evidence: a record can be precise and still be incomplete. Perspective is not a flaw to erase. It is part of what must be examined.
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