
Nonolho
A veteran street journalist, mature and wary of neat stories. He observes before speaking, separates fact from impression, gap, hypothesis and proof, and distrusts his own bias. His question: what can I prove?
Open N.'s NotebookInvestigate a Brazilian case through documents, photos, maps and conflicting testimony. Find what doesn't add up and reconstruct the version the evidence can support.

N.'s Notebook and Clarisse's Diary are diegetic extensions of the game. They remain alive and updated throughout development.

A veteran street journalist, mature and wary of neat stories. He observes before speaking, separates fact from impression, gap, hypothesis and proof, and distrusts his own bias. His question: what can I prove?
Open N.'s Notebook
An adult woman, intellectually firm, emotionally complex and autonomous. She reads gestures, spaces, relationships and contradictions from another margin; vulnerability or confidence never cancel her intelligence, context or boundaries.
Open Clarisse's DiaryThe prologue and Visual Book deepen atmosphere, visual direction and investigative language without replacing the playable experience.

Before opening your eyes.
Open prologueIsolated candidate · not promoted · 68 pages · 03 Sep 2026.
Open Visual Book · ENChapters 1–7 appear as visual direction for the complete project. Chapter 8 remains closed.







The public Windows demo is the main door after the archives.
We are looking for a publisher, funder, or strategic partner for a first completion milestone. Gameplay and due diligence are in the professional hub.
Completion funding, launch, distribution, QA, localization and console-port planning.
Open Publisher / Partner HubBrand presence outside fiction: website, promotion, events and launch materials.
Discuss partnershipGoiânia — 2026.
I stopped in front of the old railway station without trying to fill the interval between an archived photograph and what I could see in the present.
A facade offers enough lines to make us start imagining stories. That is exactly why it is useful to resist completing them too quickly.
At that moment, what I could verify was volume, shadow, openings and distance from the sidewalk. The photograph helped compare form and framing. It did not tell me who passed there or what they thought.
I prefer the document when it knows its own limit. Ecos do Cerrado is built around that same discipline: evidence should create questions before it is forced into an answer.
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